Service and Public Outreach

Tiffiny is standing in a darkish room and holding a skull. The back of the skull is facing the audience, and Tiffiny is pointing to the point indicated on the screen behind her. This point is the Nuchal Crest. There is a photo and a diagram of the different average sizes the point grows to. This information is used for determinign skeletal sex of an individual.
Tung teaching students skeletal anatomy at Universidad Nacional de San Cristóbal de Huamanga.

Through my research and teaching, I have developed a strong commitment to public science education. I share my fascination of biological anthropology and archaeology with the general public by giving public lectures, both in the US and Peru. I give yearly lectures to the Medical Explorers Program, organized by the Vanderbilt University Medical Center, in which high school students learn about careers in science, healthcare, and related fields. Advanced undergraduates and graduate students in bioarchaeology often assist me in overseeing the osteology lab component of this outreach program. I have also given interactive video lectures to middle school students located far from Vanderbilt’s campus through the Vanderbilt Virtual School.This is a great way to share the wonders of archaeology and biology with curious students, particularly those in rural areas in the southeastern US. In addition to outreach lectures to school children, I occasionally give lectures to the Nashville community, sponsored by such groups as the Rotary Club of Nashville and the City of Nashville, Parthenon Speakers Committee.

If you are also interested in science  education for the public, particularly as it relates to the teaching of evolution in public schools, please visit the website for the National Center for Science Education.

Ellen with four kids around her. She is showing them a vert. Two of the kids are looking at it and the other two are looking into the camera. Ellen is looking into the camera. She has paper in her lap and is looking into the camera. There is a table covered with verts behind her and another with other bones. Ellen is wearing a long sleeved white shirt and has brown hair pulled back.
Ellen Lofaro (Vandy undergrad) points out skeletal features to Peruvian school children (Ministry of Culture Museum, Ayacucho, Peru). Photo by T.A. Tung.

Lecturing in Ayacucho

In Peru, I give annual lectures to university students at the Universidad de San Cristóbal de Huamanga in Ayacucho, as well as public lectures to the Ayacucho community, which are organized by either the National Institute of Culture-Ayacucho or Huamanga University. My students and I also give informal lectures to Peruvian school children that visit our osteology lab at the National Institute of Culture in Ayacucho.

Museo de la Memoria

Mirza and Roberto are talking. They are standing in the shade but the sun is coming through a black metal gate behind them. Mirza is wearing a black tshirt, gray jacket, and jeans. Her brown hair is in a bun. Roberto is wearing a gray shirt that says in blue lettering, "Fort; 42; Johnson" as well as kahki pants. He wears glasses. He has short brown hair.
Mirza Del Castillo (L), forensic anthropologist Roberto Parra (R), and I discussing skeletal trauma- blunt force and gunshot.

My students and I have also collaborated with volunteers and staff at the Museum of Memory in Ayacucho.

The region of Ayacucho ( Huamanga ) was the center of a violent conflict between Sendero Luminoso (Shining Path) and  the Peruvian military in the 1980s to 1990s. Sadly, that conflict led to the death of tens of thousands of peasants and Ayacucho city dwellers, and many of those victim’s bodies are now being recovered by human rights groups staffed with forensic anthropologists. Our bioarchaeology team sometimes confers with those forensic investigations, sharing resources and consulting on cases to identify skeletal trauma.

Many of the women in Huamanga who lost loved ones have come together to build the Museo de la Memoria (Museum of Memory) para que no se repita (so that these [violent events/injutsices] won’t be repeated (see photo above). My former student Ella Wilhoit wrote her Senior Honor’s Thesis about this museum. She is now an anthropology graduate student at Northwestern.

The mural painted on the Museo de Memoria to honor the victims of a genocide in Peru in the 1980s-early 2000s. There are mutilated limbs, fire, and children.

Lectures at Schools and Events

I give lectures at local schools and public events, such as the TWISTER event organized by the Adventure Science Center in Nashville (TWISTER- Tennessee Women in Science, Technology, Engineering and Research). The event encourages young women to pursue higher education and consider majors (and careers) in the sciences. My graduate students and I often participate in this event, while also giving lectures to students at Nashville schools. In collaboration with interns, I also do outreach events on the Vanderbilt campus.

  • Two people are standing to the right of a sign and Tiffiny as well as another person are standing on the other side. The poster has three photos- the first is someone with a hair net and gloves standing next to someone with a lab coat; the next is hard to tell what's happening; and the last one is two people listening intently. The poster also reads "Twister" is black letters with a tornado as the I. There are sponsors listed on the poster. There is a crowd of people walking through white doors behind those posing. The person on the far left is wearing a purple shirt, a black sweater, black pants, and a black bag across their shoulder. They have dark braids and a balck and white coat in their hand. The next person is wearing a black longlseeved shirt and jeans. Tiffiny is wearing a black, orange, and yellow striped turtle neck sweater as well as jeans. She has chin length brown hair. The next person is wearing a white thsirt, dark gray sweater, black pants, and a brown scarf. The have shoulder length brown hair.
  • A group of six people are surrounding a skeleton that has been partially laid out. The other bones are being held by the people in the group.

Mummy Autopsy

The most comprehensive and far-reaching public outreach I have done involved a television series on the Discovery Channel entitled, “Mummy Autopsy”. These investigations were aimed at showing the general public how bioarchaeological and forensic research is conducted. These studies were undertaken with four excellent colleagues: James Murrell, Ken Nystrom, John Schultz, and Heather Walsh-Haney.

Tiffiny is hunched over a skeleton. Ken, Peter, and AJ are standing around the table. Ken is wearing a blue t-shirt, long sleeved white shirt, and khaki pants. AJ (on the left) is wearing jeans and a blue jacket with white and red on the bottom, collar, and sleeves. He is holding a camera in a blue bag. Peter is wearing a black sweater and dark jeans. His camera is over his shoulder.
T. Tung and K. Nystrom examine a skeleton while the cameraman (Peter Harvey) and soundman (AJ Butterworth) prepare for filming.

I was involved in 12 different bioarchaeological investigations that examined the various cultural contexts of the deaths of ancient peoples, and when possible, we documented the mechanism of death (e.g., lethal blunt force trauma and/or stabbing wounds on a skeleton). Some of the bioarchaeological case studies inlcuded analysis of the following: a skeleton of a Macedonian soldier; a group of Tiwanaku era adult and child burials recovered from a cave in the Salar de Uyuni in Bolivia; a presumed sacrificed man from the site of Cajamarquilla in Lima, Peru; a traumatic death of a post-Wari adolescent male from the site of Beringa in Majes valley, Peru; Nasca trophy heads recovered from the site of Cahuachi; 19th century burials from the Pacific War between Peru and Chile; an Anglo-Saxon burial group in Canterbury, England; and a skeletonized frontiersman from 19th century Wyoming.

The executive producers of “Mummy Autopsy” were Kate Botting and Ruth Sessions—an amazing pair that were superb ‘quick studies’ of bioarchaeology.

See the web photo gallery of shots that were taken during the various months of filming in 2004 and 2005.